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Winsor & Newton Professional Artists' Water Colours
William Winsor and Henry Newton first introduced moist water colours in the 1830’s. The brand is now synonymous with quality and tradition when it comes to watercolour paints. With 96 colours, Winsor & Newton's Professional Water Colour range offers bright, vibrant colours and unrivalled performance. Water colour, more than any other medium, reflects the unique characteristics of the pigments used and our Professional Water Colours use only the finest pigments, and are known for their brilliance, permanence and strength of colour. Pigments Unrivalled Transparency Permanence Series 1, 5ml: $15.95
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| Colour | Series | Colour | Series | Colour | Series | ||
| Alizarin Crimson | 1 | Indian Red | 1 | Quinacridone Magenta | 3 | ||
| Antwerp Blue | 1 | Indian Yellow | 1 | Quinacridone Red | 3 | ||
| Aureolin | 4 | Indigo | 1 | Raw Sienna | 1 | ||
| Bismuth Yellow | 3 | Ivory Black | 1 | Raw Umber | 1 | ||
| Brown Madder | 1 | Lamp Black | 1 | Rose Dore | 4 | ||
| Brown Ochre | 1 | Lemon Yellow (Nickel Titanate) | 4 | Rose Madder Genuine | 4 | ||
| Burnt Sienna | 1 | Lemon Yellow Deep | 2 | Scarlet Lake | 2 | ||
| Burnt Umber | 1 | Light Red | 1 | Sepia | 1 | ||
| Cadmium Lemon | 4 | Magnesium Brown | 1 | Terre Verte | 1 | ||
| Cadmium Orange | 4 | Manganese Blue Hue | 2 | Terre Verte Yellow Shade | 1 | ||
| Cadmium Red | 4 | Mars Black | 1 | Titanium White | 1 | ||
| Cadmium Red Deep | 4 | Naples Yellow | 1 | Transparent Yellow | 2 | ||
| Cadmium Scarlet | 4 | Naples Yellow Deep | 1 | Turner's Yellow | 3 | ||
| Cadmium Yellow | 4 | New Gamboge | 1 | Ultramarine Green Shade | 2 | ||
| Cadmium Yellow Deep | 4 | Neutral Tint | 1 | Ultramarine Violet | 2 | ||
| Cadmium Yellow Pale | 4 | Olive Green | 1 | Vandyke Brown | 1 | ||
| Caput Mortuum Violet | 2 | Opera Rose | 2 | Venetian Red | 1 | ||
| Cerulean Blue | 3 | Oxide of Chromium | 3 | Viridian | 3 | ||
| Cerulean Blue Red Shade | 3 | Payne’s Gray | 1 | Winsor Blue Green Shade | 1 | ||
| Chinese White | 1 | Permanent Alizarin Crimson | 3 | Winsor Blue Red Shade | 1 | ||
| Cobalt Blue | 4 | Permanent Carmine | 3 | Winsor Green Blue Shade | 1 | ||
| Cobalt Blue Deep | 4 | Permanent Magenta | 3 | Winsor Green Yellow Shade | 1 | ||
| Cobalt Green | 4 | Permanent Mauve | 3 | Winsor Lemon | 3 | ||
| Cobalt Turquoise | 4 | Permanent Rose | 3 | Winsor Orange | 1 | ||
| Cobalt Turquoise Light | 4 | Permanent Sap Green | 1 | Winsor Orange Red Shade | 1 | ||
| Cobalt Violet | 4 | Perylene Green | 2 | Winsor Red | 1 | ||
| Davy’s Gray | 1 | Perylene Maroon | 3 | Winsor Red Deep | 1 | ||
| French Ultramarine | 2 | Perylene Violet | 2 | Winsor Violet Dioxazine | 1 | ||
| Gold Ochre | 2 | Prussian Blue | 1 | Winsor Yellow | 1 | ||
| Green Gold | 2 | Phthalo Turquoise | 2 | Winsor Yellow Deep | 1 | ||
| Hooker’s Green | 1 | Potter's Pink | 2 | Yellow Ochre | 1 | ||
| Indanthrene Blue | 3 | Quinacridone Gold | 3 | Yellow Ochre Light | 1 |
There are three main characteristics of water colour pigments which are commonly referred to by the artist. The relative staining ability of pigments is noted by artists who wish to lift colours with a sponge, to achieve particular colour and texture effects. Some pigments show a tendency to granulate, like Raw Umber, causing the pigments to settle in the hollows of the paper surface to produce a mottled effect. Flocculation also gives a mottled effect. This happens when pigment particles are attracted to each other rather than dispersing evenly, like Ultramarine Blue.
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